Tok_Vibes

Built a boutique creative strategy studio serving DTC brands from performance-driven strategy to hands-on UGC content production.

Led campaigns for brands like Loop Earplugs, Neutrogena, and Ziploc, translating their brand vision into high-converting social ads.

Delivered results: achieved a 3.5x ROAS on $150K spend (20% above industry benchmark) and reduced CPA by 18% through relentless creative testing and optimization.

Extended winning ads’ lifespan by 60+ days through continuous iteration saving clients thousands in production costs and keeping performance consistent.

(Growing fast? Let’s bring your brand’s story to life through creative that sells. Portfolio case studies available on request.)

Founder of Tok-Vibes 

The Earthling Co.

Led sprint-based creative projects across UGC, AI voiceover, and statics

Sourced & vetted creators; handled outreach, contracts, and onboarding

Wrote briefs (hook, script, on-screen lines, CTA, shot list) and editor notes

Directed editing (cut orders, versioning, QA) to accelerate time-to-winner

Built a performance tracker (hook heatmap, hold/CTR notes) to guide iterations

Ran weekly reviews; shipped 1–2 iterations/week on winning angles

Organized asset library (naming, folders, reusable shot bank) for faster reuse

Aligned creative with VoC insights

Creative Strategist

Loop Earplugs

Brought on in Q4 to turbocharge Loop’s holiday ad campaigns. 

Exceeded the $18M Q4 revenue target by 33%, thanks to a viral TikTok ad strategy and data-driven optimizations.

Developed attention-grabbing video and static ads that resonated with Loop’s community

 These campaigns performed so well that our team was nominated for “Greatest Performance” at the TikTok Ad Awards 2024 (UK). 🎉

Worked closely with Loop’s marketing team to transfer knowledge and ad creatives for continued success into the new year.

Performance Creative Strategist (Q4)

Meroda Cosmetics

Managed multi-country ad strategy cordinating with agencies in NL, Germany, the UK, and across the EU to ensure a unified message and efficient use of creative assets.

Audited each market’s Meta (Facebook/Instagram) ad account and provided detailed recommendations, resulting in a consistent uplift in ad performance across all regions (estimated +15% ROAS improvement overall).

Created clear, tailored creative briefs for each agency to produce on-brand and high-performing content. Introduced a weekly reporting cadence (using Motion app analytics and Meta Ads Manager data) so the Meroda CEO had transparent insights into what ads worked best.

Built a shareable knowledge base & SOPs for the brand’s internal team, laying the groundwork for future growth and faster onboarding of new team members.

Helped with a roadmap to follow for testing creatives in different market/languages

Performance Creative Strategist

Softizing

Joined an early-stage marketing tech startup to lead 360° creative campaigns from insight to execution. I turned consumer research into bold marketing concepts that drove initial revenue for the company’s pilot product.

Founding Member - Perfomance creatives

QuickFrame

Led end-to-end digital campaigns for various beauty and health brands as a one-woman studio – including Neutrogena, JLo Beauty, and Method.

 Managed everything from creative concept to creator coordination to final edit delivery.

Focused on UGC to produce authentic videos.

Several campaigns yielded double-digit % increases in engagement and sales.

Conducted deep audience analysis for each client (surveys, comments, reviews) to tailor campaign messaging.

Producer, Creative Strategist & UGC Creator

Apple

Started my career as a contractor at Apple, ensuring flawless music metadata for Apple Music. I cross-checked song info across databases so that millions of users could discover music without a glitch.
Collaborated with engineering and curation teams to improve how content is categorized and recommended. This experience sharpened my attention to detail and taught me how small data points can shape the user experience.
(This technical foundation in data quality indirectly became a secret weapon in my marketing career – I learned how to analyze and leverage data to improve content delivery.)

Mapping QA 

• Enhancing User Experience for Apple Music
• Research and cross-reference various sources to ensure accuracy of content.
• Ensured accuracy of content in terms of its localization, translation, functionality and flow.
• Curated qualitative datasets for Siri.

Metadata Specialist

TikTok and Meta ads for DTC Brands | Creative Strategist | UGC Producer|Founder of Tok-Vibes.com

Hi, I’m Oli!  a creative strategist who helps DTC brands turn scrolls into sales. 

You’ve got a great product and a solid team ..but if your ads aren’t converting like they used to, that’s where I come in. 

I blend storytelling and data to build ads that not only grab attention but also drive growth. 


Here’s what I do best:

 I dig deep into your ad data and customer psychology to find out what truly makes your audience click. 

Then I craft fresh ad concepts (often leveraging UGC and AI content) grounded in those insights.

 The result = Campaigns that lower your CAC, boost ROAS, and scale your revenue sustainably.

 Over the past 5+ years, I’ve helped startups and global brands alike smash through growth plateaus:

🔹 Scaled Loop Earplugs to exceed a $18M Q4 sales goal by 33%. (Yes, we overshot the target by a mile!)

🔹 Drove 3.5X ROAS on $150K ad spend for a DTC accessory brand by reinventing their creative strategy (20% above benchmark performance)

🔹 Cut CPA by 18% for a skincare client and found new customer angles that led 5 out of 50 test ads to drive 70% of their online revenue.

I’m a founder, too...

 I launched an accessory brand with an innovative first product that I designed myself.

 I partner with you, founder-to-founder, treating your business like my own. 

If something isn’t working, I’ll tell you. 

If I spot an untapped opportunity, I’ll seize it. 

My approach in a nutshell: Test, learn, iterate. 📊 I run structured ad tests (thanks to my nerdy side that loves numbers) and then double down on the creatives that perform. 

No fluff, no ego.. just actionable insights and winning ads. 

And because I started as a content creator myself, I excel at producing ads that feel real and relatable (not like those stiff “agency” ads).

 On a personal note, I’m a bit of a nomad and nerd: I’ve lived on 3 continents, speak English & French, and once grew a fitness Instagram to 15k followers just by talking about protein pancakes. 🥞
 (Turns out, authentic content really does attract an audience...a lesson I carry into my ad strategies!). 

When I’m not optimizing campaigns, you can find me in a Reformer Pilates class and having lunch on a terrace with a friend.

Ready to scale your DTC brand with ads that convert? 

Let’s chat. 😊 

Send me a DM or book a call through my profile link, and let’s spark your next phase of growth.

Oli Cimet

A lot of people think creative strategy means writing good hooks.

That’s just copywriting.

Real strategy means knowing what to say, why it works, and how to get it made.

You need to think in layers:

→ Research like a scientist.
→ Write like a DTC copywriter.
→ Think like a psychologist.
→ Brief like a producer.
→ Test like a growth marketer.

That’s what makes strategy high leverage.

It’s not about being creative for fun.
It’s about getting creative that sells.

DTC Creative Strategist & Growth Partner Scaling 7-8 Figure Brands with Data-Driven UGC + AI Creative for FB & TikTok Ads | Founder of Tok-Vibes | Product Creator | Entrepreneur for Life

You don’t need another media buyer.

You need someone who can tell you why your ad isn’t converting.

That’s the gap most brands don’t see.

→ Editors can make content.
→ Buyers can launch tests.
→ But no one owns the message.

And that’s the real bottleneck now.

Meta doesn’t need help finding the right people.
It needs the right story to show them.

A creative strategist isn’t “just another hire.”

It’s the person who knows:

→ Which pain points actually move revenue
→ How to translate reviews into messaging
→ How to brief creators so the ad lands

Media buying is math.
Strategy is psychology.

If you’re testing 100 ads and still flatlining, the problem isn’t volume.

It’s clarity.

One of my highest-performing ads wasn’t a video.
It was a static.

No bright colors.
No gimmicks.
Just a well-written founder letter in plain text.

Here’s why it worked:

→ High dwell time
→ Instant trust
→ No ad fatigue

People stopped to read.
They felt the story.
They converted.

Sometimes your best creative doesn’t look like an ad.

Every founder says they want to 10x.

They want to scale from $100K/month → $1M/month.

From $5K/day → $50K/day.

But most aren’t operating like it.

They’re still trying to write the briefs themselves.

Still testing 2 angles a week.

Still waiting for clarity before they move.

I’ve talked to dozens of brands scaling fast and here’s the pattern:

→ The ambition is there.
→ The product is there.
→ But the execution? Still small.

You don’t scale to $1M/month by acting like a $100K/month brand.

You need more output.
More risk.
More volume.
More structure.

And most of all?

You need to make faster decisions with less certainty.

Big goals require speed, pressure, and systems.

You don’t “earn” scale you build the machine that allows it.

li_at

JSESSIONID

Talks about #dtc, #ugc, #tiktokads, #paidsocial, and #creativestrategy

Stop writing for everyone. Start writing for one person.

Every brand says their product is for:
→ Women 25–45
→ People who care about wellness
→ Anyone with skin, hair, a gut, a brain

That’s why their ads blend into the feed.

The winners?

They go narrow:
→ Women over 45 who feel invisible in the beauty aisle
→ Men with joint pain who don’t want to try another “miracle” pill
→ New moms whose hair is thinning and confidence is tanked

When you get specific, everything sharpens:

→ Your hooks get clicks
→ Your message hits harder
→ Your results compound

Mass-market ads don’t work on platforms built for personalization.

Find your person.
Speak directly to them.
Ignore the rest.

A DTC brand spent $12,347 on a product photoshoot.

They rented a studio.
Hired a photographer.
Booked polished models.
Shot 40 pieces for their new collection.

Then they A/B tested it.

→ The iPhone photos on a white wall converted at 3.2%
→ The $12K professional shots? 2.7%

That’s a 15% drop in conversion.

Why?

→ The lighting made the fabric look fake
→ The models didn’t feel relatable
→ The visuals looked like ads — so people scrolled right past


Here’s what they didn’t need:
→ A studio
→ Perfect lighting
→ A huge production budget

You can test polish without spending $12K.
Just use nano banana.

If it flops, cool, you just saved 5 figures.
If it hits, now go scale with confidence.

don’t forget the real lesson:

Your customers don’t want ad-looking content.
They want native.
They want honest.
They want to see what it actually looks like on someone like them.

I used to feel weird about having multiple passions.

Like if I wasn’t “all in” on just one thing, people would assume I wasn’t serious.

But that’s not how I operate

That’s not how most entrepreneurs operate either.

Right now, my focus is split between two clear goals:

→ Helping DTC brands scale through smart creative and paid ads
→ Investing in real estate, stocks to turn short-term wins into long-term freedom

That’s it.

And something wild happened:

The moment I got clear, really clear, the right opportunities started showing up.

I found my investing mentor
The right connections came in naturally.
Because what you focus on, you attract.

Not when you force it.
Not when you chase.
But when you move with clarity and intention.

You don’t need to limit your passions.

You just need to direct your energy.

Every founder says they want speed.
But speed without a system is chaos.

Here’s how I deliver 20+ ad concepts in 1 week without sacrificing quality:

→ I start with deep research.
→ I map out every angle + persona.
→ I brief like a maniac — every creator gets a clear role.
→ I tag raw footage so editors can build in hours, not days.
→ I use AI when it makes sense. Real humans when it matters.

That’s how we scale.

You don’t need a bigger team.
You need a faster engine.

Hiring: Direct-Response Copywriter (DTC Ads)
 Looking for a copywriter who can write short-form scripts that SELL (Meta/TikTok).
 Must have experience with: hooks, angles, UGC scripts, VO ads, LF8, and product research.
Send:
 1️⃣ 3 examples of past ad scripts
 2️⃣ Rates
 3️⃣ Quick intro
Comment COPY or DM me.

If your performance has been meh these past few weeks, here is why 👇

Meta's Andromeda update changed EVERYTHING about creative testing.

The old playbook is dead:
❌ 1 angle with 4 small variations
❌ Changing headlines and CTAs
❌ Testing "blue button vs red button"

Here's what's actually happening:

Meta now uses hierarchical indexing. Translation? Your audience isn't one big group - it's multiple cohorts with different needs.

Example: You're selling to "construction workers"

But within that audience:
• Cohort 1: Guys who've broken expensive gear
• Cohort 2: Guys who want professional respect
• Cohort 3: Guys who see gear as identity
• Cohort 4: Guys influenced by their crew

The OLD way targeted all 4 with the same message.
The NEW way creates different messages for each cohort.

Why your performance dropped:
→ You're still using 2022 creative strategy
→ Meta can't optimize with limited creative diversity
→ You're missing 75% of your potential audience

What winners are doing now:
✅ 4 completely different psychological angles
✅ 20-30 unique ads per month (not variations)
✅ Letting Meta's algorithm pick the winners
✅ Testing angles first, then formats

The difference?
• Old way: 4 chances to win
• New way: 16+ chances to win across different audience segments

This isn't just "more creative" - it's strategic audience expansion.

Instead of fishing with one hook, you're using four different baits for four different types of fish.

More fish = more sales.

If your ad account is full of Gen Z creators...

You’re probably missing the sale.

One of the top DTC brands I work with has 3 strategists.

All smart.
All young guys.
All building hair care ads.

But here’s the problem:

Their customer is 45–64.

And the copy, tone, and creative?

Still sounds like it’s made for 25-year-olds on TikTok.

If your creative team doesn’t reflect your buyer — you’re leaving money on the table.

Creative strategy isn’t about trends.

It’s about relatability.

And a woman in her 50s isn’t going to click on an ad that says “hot girl hair hack.”

You don’t need more content.

You need content that makes people say:

“That’s me.”

You can’t build something great when you’re the only one pushing.

At some point, you need people who get it.

Who don’t need to be convinced why the hook matters.

Who instinctively know how to make a product feel real on camera.

Who take your raw footage and turn it into something that actually sells.

You don’t need a huge team.

You don’t need a massive budget.

But you need the right people or you’ll burn out trying to do it all yourself.

That’s the real reason most founders get stuck.

Not because they aren’t smart.

But because they’re surrounded by B-players... and too tired to keep carrying the whole thing on their back.

If you’ve got big goals, protect your energy.

Find people who make execution feel easy.

It’s not supposed to be this hard.

3 types of supplement ads that convert like crazy:


→ 1. The “Taboo” Ad
This ad calls out the embarrassing reason someone’s taking the supplement.
Bloating. Hair loss. Constipation. Brain fog. Libido.
The more “shame” attached to the problem, the stronger the hook.

→ 2. Benefit point out Ads
More energy. Better sleep. Glowing skin. Stronger workouts.
it builds aspiration

→ 3. The “Golden Nugget” Ad
mine your reviews and find the onesuper specific oness that are super specific and highlight certain part of the revie to make it pop out.

These ads work.

The product is important.

But the way you talk about it is everything.

Most founders aren’t looking for a creative strategist.

They’re looking for someone who just gets it.

Someone who doesn’t need a 10-page brief to understand the customer.

Someone who can hear “we’re skewing older now” and instantly shift the tone, creators, and formats.

Someone who moves fast without needing to be micromanaged.

This week I had a founder tell me:

“I just want these to feel different. 

My team’s good but it’s all starting to feel the same.”

That’s the real unlock.

It’s not about replacing teams.

It’s about bringing in fresh thinking that actually changes performance.

Because when you’re trying to scale?

Creative fatigue isn’t just a feeling.. it’s a revenue problem.

One of the first things I noticed on a new brand’s ads:

→ 95% of their UGC was targeting the same demo
→ Young, aesthetic women, 25–30, soft lighting, good hair, etc.

And it was working... kind of.

But the brand wasn’t scaling.

Here’s why:

Meta needs diversity to find your next pocket of spend.

Andromeda won’t just “spend more” if you keep showing the same content to the same group.

You want scale?

→ Speak to Gen X women who buy for their daughters
→ Speak to men over 40 with a pain point they’ve been ignoring
→ Speak to people who don’t care about looking cool — but care about feeling better

Same product.
New angles.
New demos.
Lower CPAs.

That’s how you unlock scale.

Not just by spending more but by giving Meta more paths to win.

40+ buyers are Meta’s secret weapon.

They don’t swipe like Gen Z.
They read.
They click.
They buy.

Most brands sleep on this demo.
That’s a mistake.

Here’s what works:

→ Founder-letter statics.
→ Wellness ads with real science.
→ UGC that sounds mature not cringey.
→ Objection-handling copy with press logos for social proof.

I’ve scaled six-figure campaigns just by dialing in this age group.

They’re not flashy.
But they convert like crazy.

GAP didn’t just run an ad!!! 
They dropped a cultural MOMENT.

And the internet felt it.

Here’s what made this winter campaign actually work and what DTC founders can learn from it:

It’s not an ad. It’s a vibe.
Everyone else is yelling “Buy our winter sweaters.”
Gap drops a full choir, no pitch, no sell.
Your brain says: music video not commercial.
So you stop. You watch.

A cappella = instant emotional anchor.
Warmth. Nostalgia. Holidays.
One comment said:

“I never look up an ad to rewatch it.”

That’s oxytocin. 

That’s creative doing its job.

The casting looks like us.
Not catalog models.
Not aspirational archetypes.
Just people who feel familiar.
One commenter nailed it:

“So nostalgic and at the same time fresh and authentic”

No CTA.
No overlays. 
No pitch.

Everyone’s wearing Gap.
But nobody says that.
The product is the context not the push.

Which makes it more persuasive.

The song is a throwback, but reimagined.
They took Miley’s The Climb, flipped it into a soulful group cover.

People felt it.

“This is the Christmas ad we needed 😭❤️”

“Got goosebumps omg so good”

“Literal chills.”

It triggered the share instinct.
Thousands of comments.
People tagging friends.
Calling out names in the choir.
Requesting the full song.
Begging for it on Spotify.

“I’ve never skipped a GAP ad once.”
“This is one of the greatest commercials I’ve ever seen on YouTube and Pinterest.”

This is what “native brand content” actually means.
→ It doesn’t sell.
→ It feels.
→ And because it feels, it scales.

Great ads don’t scream at you.
They pull you in and you decide to stay.

for context: https://lnkd.in/gFdtB79T

Open video: Give Your Gift on youtube.com

Thomas Markland

Founder

HYDP

HYDP is the worlds first creator economy company. 

We believe the future of brand communications, commerce and entertainment will be creator led.

We're on a mission to build the creator economy through storytelling, talent, and technology.

Creators are the future of human connection. Brands are the language of belonging. We're leading the next conversation.

Founder & CEO

Atomic London

So many people say that in today's multi-channel world it's never been harder for brands to be heard. Well we don't agree.

We think brands struggle to be heard not because it's too busy, but because their work is too bland.

Never Quiet. It's a principle that drives everything we do. Creating ideas that, are hard to ignore, difficult to forget, easily more effective.

Atomic put brand and activation working not just in the same building, but side by side.

Head of Social Sales and Marketing

cubaka

Cubaka specialises in the development and distribution of social media content. 

We work with a broad range of clients on a retained and project basis including BBC, Toyota, Lexus, Dyno, Savills, Whole Earth, Clipper, Hager, and Mercedes-Benz.

Working at Cubaka I successfully brought in a number of leading brands including Linda McCartneys, Lindt, AXA, Fitness Bug, Avolities, Plan International, Sixt, Loreal and Mattel.

Head of Sales and Marketing - Partner

Livity

Creating award-winning youth campaigns, content and consultancy that has proven business and social benefits.

We borrow from marketing, start-ups and social movements to find the most impactful ideas that bring our partners closer to their youth audiences. We help brands grow by earning them a genuine place in youth culture.

We exist to help young people change the world.

Clients include: Nike Facebook, Dyson, Playstation, Netflix, BBC, Google, and Barclays.

Sales and Marketing Lead (Contract Maternity Cover) 

Kin + Carta

AmazeRealise is part of the Digital Division of Kin & Carta Group (formerly St Ives) and is now offering a powerful, joint-agency combination backed up with individual 20-year histories. The group delivers world-class customer experiences, powered by market-leading insight, technology and creative with a singular focus – measurable business returns.

Business Development Consultant (contract)

Ingenuity London

This role places me on the front-line of marketing innovation, as I meet leading brands and agencies, everyday learning about pioneering industry trends, tech and strategy.
 
My role as Head of Marketing & Innovation involves me:
 
 • Working with our internal team to develop and deliver new products that aid brands and         agencies.

 • Making agency introductions, running chemistry sessions and pitches.
 
 • Working with agencies to develop preeminent new business strategies and campaigns.

 • I led the re-brand of ingenuity working with the team to create new brand guidelines and a website.

Head of Marketing & Innovation

Ingenuity is the UK's leading business development consultancy, serving both the Agency and Marketing communities. Headquartered in London W1, it works in four areas;

1. We help AGENCIES find new Clients, through our consultancy and prospecting services. 
2. We help BRANDS find new marketing services agencies
3. We bring Agency and Marketing people together through regular new business and networking EVENTS.
4. Through sister company Acuity PR, we offer PR services focused on achieving new business objectives

Senior Account Manager

Blue Mango Marketing Ltd

I created Blue Mango while studying at Manchester Grammar School. 

During this time, we primarily serviced SME businesses in the Manchester area. I would go door-to-door on local high streets during the weekends selling digital marketing services to hospitality businesses and independent retailers.

When I left school, I decided to continue building Blue Mango instead of heading off to university. 

We successfully grew the business by hiring new talent and transitioning our client base into medium to large companies. 

We worked on a variety of projects for clients such as Thompson Local, 118 Group, IAS and Mello Drinks, to name a few. 

In 2015 we were shortlisted for ‘Best Digital Marketing Agency’ in the Manchester Business Awards.

Managing Director

Tenant Advisory Group

Worked closely with the founder of Tenant Advisory Group in devising a new business development strategy. Undertook research in London’s commercial property market and in particular, occupier lease expiry events and property agent contacts.

•	Developing a client acquisition strategy
•	Creating potential client and letting agent mailing lists
•	Working with Excel to create databases
•	Utilising Co-Star on-line property database to extract relevant market data

Research Assistant

TM Cards

TM cards was a seasonal business venture which involved selling personalised letters addressed to children from Father Christmas and delivering them on Christmas morning. Letters were sold to parents door to door from a pre-prepared samples menu.  The letters were then manufactured and then delivered by myself on Christmas morning. This business was repeated in 2013 to raise money for Christie's charity. 

•	Carried out door to door sales targeting affluent neighborhoods
•	Hand delivered letters on Christmas morning (4am start!)
•	Profit was invested into other business.
•	Sales monies were paid upfront demonstrating the level of trust established from the sales process.

Owner

Bootsandrackets.com

I created Bootsandrackets as a tennis and football equipment resale business. I sourced and resold rare and ‘on trend’ sports equipment in an online shopping environment. Items were sourced both online and door-to-door and then sold for a profit. 

•	Carried out door to door sales
•	Sourced undervalued products on-line by targeting mis-described or incorrectly listed items 
•	Created an online shop and arranged shipping globally.
•	Acquired a variety of transaction skills from carrying out buy/sell trades online and in person.

Founder at HYDP

WE'RE IN A NEW ERA OF MARKETING AND ADVERTISING!

There are now 200,000,000 people who regard themselves as content creators!

Our speciality is getting these people to solve brand challenges across the marketing mix.
 
From organic social content and paid media assets to the next generation of influencer marketing, creators power our strategies. 

Delivering guaranteed ROIs and better creative output.

Founder & Managing Director

Remember when hashtags were the secret sauce for growth on Instagram?

There was a time when you could slap on a handful of trending tags and suddenly your reach would skyrocket. It felt like a cheat code, and for a while, it was.

But here’s the reality: the game has changed.

Today, Instagram rewards something entirely different. It’s not about posting more or stacking hashtags. Now it’s about:

⚡️ Using the right keywords in your content and bio

⚡️ Crafting bios that actually tell your story 

⚡️ Leveraging automation to do the heavy lifting (schedule with Meta Business Suite:

It’s less about volume, more about precision.

I’ve seen so many creators and brands still clinging to the old playbook, hoping the algorithm will notice. 

But the platforms and audiences have evolved. If you’re still running your 2016 strategy, you’re not just missing out. You’re invisible.

So, are you ready to update your approach? Or are you staying stuck in the past?

What’s one shift you’ve made (or resisted) in your social strategy lately? Let’s swap notes.

#Instagram #CreatorEconomy #SocialMediaStrategy

Founder & CEO @ HYDP | All things Creators & Influencers!

🧙. Prompt engineering isn't magic 🧙. It's starting to look a lot like real engineering.

A tech lead recently spent over a thousand hours analysing how to optimise the performance of AI models. 

Not by writing essays or clever riddles, but by treating prompts like code: short, structured, and repeatable. He distilled it into six patterns called "KERNEL." 

❓ 𝗧𝗵𝗲 𝗿𝗲𝘀𝘂𝗹𝘁𝘀 ❓ 
Their team's success rate with models like GPT-5, Claude, Gemini, and LLaMA jumped to 94%, and token usage dropped by half.

🧠 𝗪𝗵𝗮𝘁 𝘀𝘁𝗮𝗻𝗱𝘀 𝗼𝘂𝘁 𝗶𝘀 𝘁𝗵𝗲 𝘀𝗵𝗶𝗳𝘁 𝗶𝗻 𝗺𝗶𝗻𝗱𝘀𝗲𝘁. Prompt writing isn't guesswork or artful persuasion anymore. It's becoming a discipline with frameworks, testing, and measurable outcomes.

We're moving from "just try stuff and see what works" to a world where prompt architecture is as serious as software architecture. 

Maybe the next generation of engineers will be just as fluent in prompt patterns as they are in Python❓

Are we ready to treat prompt engineering as a core skill, not a side hustle? Or does the real creativity still live in the grey areas?

Curious to hear how others are approaching this shift. Is your team already thinking like this?

Useful links:
https://dub.sh/lx589Lg
https://dub.sh/5Nm3VEB
https://dub.sh/BG8pNXW
https://dub.sh/qyp4JGM
https://dub.sh/kMPVFjS
https://dub.sh/WUwL0Si

#AI #PromptEngineering #FutureOfWork

🧨 YouTube just declared war, and the battleground is your living room. 🧨

But here’s the twist: they’re not gunning for TikTok or Instagram. They’re coming for Netflix, HBO, Disney+, and Amazon Prime. The prize? Your TV screen, the most valuable real estate in digital media.

What most people don’t realise is that YouTube has already won. They own about 11% of all US TV viewing, and now they’re rolling out a wave of features that widen the gap:

⚡ 4K thumbnails, finally, your first impression matches your content, even on the biggest screens

⚡ AI upscaling, every video gets an HD facelift, with 4K on the horizon

⚡ Immersive previews, Netflix-style autoplay but for your YouTube channel

⚡ Instant shopping via QR codes, 35 billion hours of shopping content now frictionless from the couch

These aren’t just upgrades. YouTube is no longer a social platform. It’s a streaming network. It’s a commerce engine. It’s the new home screen.

As creators, this changes everything.
If you’re still thinking mobile first, or optimising for 1080p, you’re playing last year’s game.

The shift is already here.
Shoot once, upload once, and your content looks perfect everywhere.

Are you still treating YouTube like a social app, or are you ready for the living room era?


#CreatorEconomy #StreamingWars #FutureOfMedia

❤️‍🔥 Carousels are quietly dominating both in organic reach and as paid ads. ❤️‍🔥

I’ve seen it firsthand: the right carousel can outperform a slick video or static post, hands down. But it’s not just about tossing a few slides together and hoping for the best.

Here’s what’s working for me (and the brands I work with):

⚡ 𝗧𝗵𝗲 𝗳𝗶𝗿𝘀𝘁 𝗶𝗺𝗮𝗴𝗲 𝗶𝘀 𝗲𝘃𝗲𝗿𝘆𝘁𝗵𝗶𝗻𝗴. If it doesn’t stop you mid-scroll, it’s not good enough. My personal favourite? That time I interviewed a showerhead. Yes, really.

💭 𝗘𝘃𝗲𝗿𝘆 𝘀𝗹𝗶𝗱𝗲 𝘀𝗵𝗼𝘂𝗹𝗱 𝘀𝘁𝗮𝗻𝗱 𝗮𝗹𝗼𝗻𝗲. If someone can DM a single slide to a friend or repost it as a story, you’ve struck gold. Those “secondary shares” are the secret sauce for virality and maximising your return on ad spend.

🔥 𝗗𝗼𝗻’𝘁 𝗯𝗲 𝗮𝗳𝗿𝗮𝗶𝗱 𝘁𝗼 𝘁𝗲𝘀𝘁 𝘁𝗵𝗲 𝗲𝘅𝘁𝗿𝗲𝗺𝗲𝘀: super simple, almost generic visuals vs. highly designed, branded slides. You’ll be surprised which wins.


Here’s my last reminder: if you have a great video, you probably have the bones for a killer carousel too. 

Don’t let it gather dust.

If you’re running ads, these are useful:

➡️ 𝗟𝗶𝗻𝗸𝗲𝗱𝗜𝗻 𝗖𝗮𝗿𝗼𝘂𝘀𝗲𝗹 𝗔𝗱𝘀: https://lnkd.in/eTMhHWx7

➡️ 𝗠𝗲𝘁𝗮 𝗖𝗮𝗿𝗼𝘂𝘀𝗲𝗹 𝗔𝗱𝘀: https://lnkd.in/eGgUuyqd

What’s your go-to move for making content shareable? Curious if carousels are working for you, or if you’re still all-in on video.

#CreatorEconomy #ContentStrategy #BrandDesign

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The Battle

Oli Cimet

Thomas Markland

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Engagements

Likes

Performance Score.css-goub6s{font-size:var(--chakra-fontSizes-md);font-weight:500;color:var(--chakra-colors-gray-600);display:block;margin-top:var(--chakra-space-1);}Oli Cimet's LinkedIn Performance

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