A+E Global Media

Post Production Coordinator for History's Greatest Mysteries S6.

Post Production Coordinator

All3Media

Shed Media US

Music Supervisor

Sharp Entertainment 

The Intellectual Property Corporation

The Climb Season 1 - HBOMax

As Post Coordinator for The Climb, I did the following: 

- Music Cue Sheets on RapidCue
- Graphics Timing Sheets
-Timing Sheets on Excel
- Final Credits timings 
- Program restrictions
- Worked with Clearance to create Third Party Logs
- Organized and sent lunch orders for all In-Person reviews

The D'Amelio Show Season 2 - Hulu

As the Post Coordinator for The D'emalio Show, I did the following: 

- Downloaded and uploaded cuts to both Frame I/O and PIX for distribution both internally and to Hulu,
- I created and passed around Credits for approval, both internally and to Hulu.
- Attended Online and Mix reviews when extra eyes and ears were needed
- Helped download and upload both music and Hi Res acquired footage and music to Media Shuttle,
- Created a Graphics Tracker spreadsheet for each episode, requested the Graphics to be made by our third party creator, QC'd the Graphics sent back to us and delegated the AEs to import them for the team.
- Worked with Story Producers and Executives whenever they needed anything from Graphics, music or network,
- worked closely with Marketing, Clearance and Legal to make sure that all promo material was approved,
- Delegated work and created night notes for the night AE each night.
- Used Clearance Notes to create Promo Restrictions Log for each episode.
- Completed all paper deliverables, including Music Cue Sheets, Appearance Logs, Graphics Timing Sheets, Timing Sheets and Rights and Restrictions VAM sheets.

HAZMAT Productions

Post Production Coordinator for the following Shark Week Specials: 

Counting Jaws - National Geographic
Jaws vs. Kraken - Discovery 
Rise of the Hammerheads - Discovery
Monster Mako - Under The Rig - Discovery
Shark Dome - Discovery

I was hired on after production was finished to do all the paper deliverables for five Shark Week specials, one was for National Geographic and four were for Discovery.

The paperwork included the following: 
- Music Cue Sheets on SoundMouse
- Graphics Timing Sheets
- Appearance Logs
- Acquired Footage Logs
- Rights and Restrictions Logs
- Double checking and editing all final credits.

Shed Media Group

Music Coordinator for the following series: 

101 Places to Party Before You Die Season 1 - TruTV
Legally Mathis Season 1 - E!
Real Houswives Ultimate Girls Trip Seasons 1 and 3 - Peacock
The Bradshaw Bunch Season 2 - E!
Real Housewives of Salt Lake City Seasons 2 and 3 - Bravo
Legally Mathis Pilot - Picked up by E!
Below Deck Adventure: Norway - Bravo
The Bradshaw Bunch Pilot - Picked up by E!

•	Worked with Executive Producer’s to pull library cues that fit creative direction
•	Worked with editors to find cues to fit specific scenes
•	On Avid, created new music bins for editors and producers
•	Created playlists for producers in the field to have cleared music for on set playback
•	Provided creative direction to composers in the creation of new custom cues for shows
•	Created music cue sheets on excel, Soundmouse, and RapidCue
•	Worked with SVP of Post to organize all the music libraries on the Nexis and to interface with producers and editors.

Music Coordinator

I was the Post Production Coordinator for the following series:

Real Housewives Ultimate Girls Trip Season 2 - Peacock
Who Do You Think You Are? Season 8 - NBC
Fast Foodies Season 1 - TruTV
The Bradshaw Bunch Seasons 1 and 2 - E!
Murder For Hire Season 1 - Oxygen
My Houzz Season 2 - Youtube
Liberty City Season 1 - Starz
License to Kill Seasons 1 and 2 - Oxygen
Baller Wives Season 1 - VH1
Criminal Confessions Seasons 1, 2 and 3 - Oxygen

For these series, I did the following:
- Sorted, labeled and tracked all acquired stills, footage and music for all of my shows.
- Worked with Clearance to purchase third party materials and created Rights and Restrictions Logs for each show, as needed.
- Created and passed around Credits for approval, both internally and to Network
- I worked with Story Producers and Executives whenever they needed anything from Graphics, music or network,
- I worked with Marketing, clearance and legal to make sure that all promo material was approved and delivered on time.
- Worked with Clearance to organize and file all releases and license agreements.
- Sent all cuts of each episode internally via Wiredrive and to Network via FineCut or Aspera, depending, for each show.
- Delegated work to Post Production Assistants when we were still in office,
- Created Night Notes and delegated work to Night AEs when their shift started.
- Worked closely with Post Supervisor to make sure schedule was being followed.
- Completed all paper deliverables for every show, including Music Cue Sheets, Timing Sheets, Promo Restrictions Log, Appearance and Location Logs, FER Logs, Rights and Restrictions Grids and LTO Logs 
- Tracked ABS Scripts, Closed Captioning and S&P Notes and made sure they were delivered to Network. 
- Created, organized and delivered the Wrap Binders for each show.

Viacom

Post Production Coordinator for Comedy Central's Jeff Ross Presents Roast Battle, Season 2

Runway Post

-Upheld Runway’s reputation with clients as company Receptionist
-Checked in and Checked out all client material from all Vault locations
-Tediously labeled and entered content into the software ScheduAll
-Organized billing spreadsheets using Microsoft Excel 
-Labeled DVDs/CDs through Photoshop by using original content or client’s artwork

Receptionist and Vault Coordinator

The Post Group Production Suites

Managed all front desk tasks in a professional and approachable manner
Answered and screened all phone calls for every manager, supervisor and the CEO
Updated and magaged the inventory of all kitchen supplies for clients
Posted on and upkept company website, social media platforms and the company blog
Kept the client spaces tidy and presentable while always carrying a cheerful attitude
Created spreadsheets for numerous projects using Microsoft platforms

Front Office Coordinator

Nothing stimulates the human mind, body and soul quite like a perfectly constructed arrangement of video and sound, and it is my goal to create content that offers such stimulation. I strive to incite emotions in others  through sonic, optical, or lyrical provocation.

Taplio

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