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My 25-year non-linear career blends legal aspects of tech R & D, innovation, AI/Tech regulations insights, and diverse work in music and media. My stagename 'Opi' reflects my past collaborations on award-winning music releases and in global creative industries and communities. Opi is an abbreviation of my middle name. My name is Janette Oparebea Nelson https://en.wikipedia.org/wiki/MC_Opi A physical health matter has changed my future work focuses, therefore I have adapted my past tech R & D and legal experience into broad areas of AI innovation, subsequently I am open to hybrid or remote work opportunities and remote public speaking opportunities. I have developed my strategic skills in roles at prominent tech-focused innovation research institutions like the University of Technology Sydney, alongside global innovators like KANTAR TNS and Proudfoot, as well as media leaders like the Australian Broadcasting Corporation. My past experience includes: ► AI/Tech/Data Policy & Ethics: I distill complex concepts into actionable frameworks, ensuring responsible and ethical use of technology and data (AI laws, GDPR, DPA, and international privacy laws). ► Academic Research & Innovation: I have facilitated contract management (University of South Australia and University of Technology (Sydney) and contract administration (University of Cambridge and Imperial College of London) as well as project coordination within academic research and innovation institutions. Additionally I have worked in the role of Senior Executive Research Interviewer for KANTAR TNS (Sydney, Australian) on Global Management Consultancy and other B2B qualitative research projects. ► Global Strategic Business Development: I have secured new clients and opportunities for my employers e.g Proudfoot and past client Exigent Group Plc. ► Creative Production: My background in video and audio production with art direction, has been utilised not just in my creative work but also for my employers and past client's presentations and campaigns. Dotswaves TV's international arts platform and other contributions, are some of my efforts in fostering creative communities worldwide.
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