Christopher Wieduwilt

🎵 Helping the music industry enter the #NFT space @ ACOY | Podcast Host @ Digital Punks - Der Music NFT Podcast

How I went from broke musician to helping 100k+ music pros with AI.

I was that kid with a guitar & big dreams:
↳ Started in a garage band at 15. 
↳ Toured the US & Europe.

Lived the highs & lows of the music life. 

After a number of years working in the music industry, I consulted for global brands like Porsche, Lufthansa, Goodyear, and L'Oréal. 

Later, I helped my mom become a bestselling author.

But I never forgot the musician's grind:
↳ That's why I built The AI Musicpreneur.

To help music pros leverage AI for success. 

A resource I wish I had when I was struggling. 

Now serving over 20,000+ musicians, producers & industry professionals monthly, including readers from Warner Music, UnitedMasters, AWAL, Cooking Vinyl, and more. 

My journey taught me success is about helping others.

Start here → aimusicpreneur.com

Founder

🎵 I wish  #NFTs existed 10 - 15 years ago.

I have practically been a music nerd for all my life. 

I used to play in various bands and as a solo artist as well as worked for record labels, organized festivals & managed up and coming artists.

I consider this experience very precious and am thankful for the opportunities I received.

I got to play in Los Angeles on Sunset Boulevard and toured the entire US.

Ranked up over half a million plays on Myspace (Yes, Myspace did exist back then)

Got featured in the biggest Rock/ Metal magazine in China.

And was on German TV.

Why am I telling you this?

It sounds like that could pay the bills right?

It didn't. AT ALL. It was a +- business.

Independent artists without much representation have it hard. 

Music piracy did not help at the beginning of the century.

And the model of streaming pays independent artists unfairly.

Along came COVID and seriously threatened live music and musicians.

Music NFTs taking off (in the next few years) feels like a resurrection for the music industry to me.
 
🎸 For independent artists NFTs could provide an opportunity to connect with fans in unique ways.

NFTs are not a get-rich-quick scheme, it needs work, but it could enable artists to make a better living than now.

You don't need millions of streams on Spotify, but maybe only a few hundred devoted fans that invest in your journey and see you grow.

💿 Record labels, publishing agencies & more can use NFTs to offer new experiences to music lovers.
At the same time creating new income streams could also mean that more investments go into up and coming artists long-term.

It puts a little bit of the power back into the hands of the music industry.

I've seen artists disappear over the years because they ran out of fuel at some point (financial wise).

Wouldn't it be great to experience live music and at the same time know that the artists performing can provide for themselves and their family?

Let's create your future together.

BREAKING: OpenAI just lost a landmark copyright case in Germany. And it changes everything for AI companies in Europe:

This morning, a Munich court ruled that OpenAI violated copyright law by training ChatGPT on German song lyrics without permission.

This is the first major European ruling of its kind.

And it's a game-changer.

Here's what happened:

GEMA (Germany's music rights society) sued OpenAI over nine songs, including hits by Helene Fischer and Herbert Grönemeyer.

The court found that ChatGPT:
→ Stored copyrighted lyrics in its training
→ Reproduced them almost word-for-word
→ Did both without a licence

The verdict?

OpenAI must:
→ Stop using the lyrics
→ Pay damages
→ Disclose how they used the songs

Why this matters:

The court rejected the "Text and Data Mining" defence that AI companies rely on in Europe.

It said memorising and reproducing copyrighted work isn't fair use.

It's infringement.

This is the opposite of recent US rulings where courts leaned toward fair use for AI training.

Europe is drawing a hard line:
↳ Creators' rights are not up for grabs.

What's next:
↳ OpenAI will appeal.

But GEMA is already going after Suno AI in January.

The message is clear: AI companies need licences, not loopholes.

Do you think AI companies should pay for every piece of content they train on?

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Christopher Wieduwilt (The AI Musicpreneur)

I help music pros use AI in their work (aimusicpreneur.com)

97% of people can't tell AI music from real music.
 
Deezer's study just proved we're already fooled:

Deezer just dropped a bombshell study.

9,000 people across 8 countries.

They listened to 3 songs.

Had to guess which was AI.

Almost everyone failed.

Here's what scares me most:

We're already living in a world where AI music is indistinguishable from human artistry.

And most of us have no idea.

The numbers are staggering:

→ 50,000 AI tracks uploaded to Deezer daily
→ That's 34% of all new music
→ 70% of AI track streams are fraudulent
→ Only 0.5% of total streams (for now)

And there's more:

73% think using copyrighted work to train AI is unethical.
70% worry about artists' livelihoods.

80% of people want AI music labeled.

Yet only ONE platform is tagging AI content.

The music industry is at a crossroads.

Should streaming platforms be required to label all AI-generated music?

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BREAKING: Suno just raised $250M at $2.45B valuation.
 
While being sued by every major label:

Here's what nobody's talking about:

They're hitting $200M in annual revenue.
↳ From subscriptions.
↳ Not licensing deals.

7m tracks created daily.
20m minutes streamed.
100m users since launch.

And investors are pouring money in:
↳ Menlo Ventures led the round.
↳ NVIDIA's VC arm joined.
↳ Even Hallwood Media (signed Xania Monet)

The message is clear:

The market doesn't care about lawsuits.

It cares about user adoption.

Meanwhile, rival Udio settled with UMG.
They're building together now.

Will Suno follow? Or keep fighting?

The $250M war chest suggests they can do both.

The question now: settlement or continued legal battle?

Either way, the users have already decided.

What's your take: Should Suno settle or keep building?

---

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An AI singer just made Billboard history.

She charted on radio, not just streaming:

Xania Monet doesn't exist. 
She's 100% AI.

But her songs are spinning on multiple US radio stations.

She just became the first AI artist to debut on Billboard radio charts.

Here's what's actually happening:
→ Mississippi songwriter Nikki Jones writes the lyrics
→ AI tool Suno creates the vocals & music
→ The tracks hit Hot R&B and Gospel charts
→ Result: $3 million record deal with  Hallwood Media

And she's not alone.

In the past 4 weeks, at least one AI artist has debuted on Billboard every single week.

The numbers are staggering:
 → Xania Monet: 44.4 million US streams
 → Breaking Rust: 1.6 million streams
 → Juno Skye: 1.6 million streams

Radio stations are playing AI music.
Streaming platforms are recommending AI artists.

Labels are signing AI projects for millions.

This isn't some distant future scenario.
It's happening right now in November 2025.

The question isn't whether AI music will chart.
It's whether human artists can compete.

Without clear labeling & fair regulations.

What do you think: 
Should AI artists be required to disclose they're AI-generated on streaming platforms and radio?

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Hallwood Media

Top 5 AI music news of the week ↓

1. Musixmatch launches AI Music Lens
2. Klay licenses all major labels
3. Udio partners with Warner Music Group
4. Suno raises $250M amid label lawsuits
5. Paul McCartney joins silent AI protest album

1 carousel, all the insights: 
↳ 5 big stories 
↳ 5-minute read 

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Musixmatch

Top 5 AI Music News Of The Week

AI artist Xania Monet's creator appeared on TV.

Here are her 5 biggest revelations:

Telisha Jones from Mississippi created one of music's most viral artists using AI.
She's not a singer.

She writes poems and turns them into songs.

Xania Monet became the first known AI artist to debut on a Billboard radio chart.

She's now on 5 Billboard charts with "How Was I Supposed to Know."

Jones landed a multi-million dollar recording deal.

But artists like Kehlani are pushing back hard.

Here are 5 things Telisha Jones said:

#1: Why she revealed herself:
↳ To prove there's a real person behind it
↳ Every lyric comes from her soul
↳ And lived experiences

#2: Where her lyrics come from:
↳ Writing poetry since age 24
↳ Her dad's death at eight inspired hits
↳ Each song reflects real pain

#3: Her life outside music:
↳ Still runs her Mississippi printing business
↳ Keeping her roots despite the millions
↳ Learned this tech just 4 months ago

#4: Responding to Kehlani's criticism:
↳ Everyone's entitled to their opinion
↳ Still loves and listens to Kehlani daily
↳ Says "AI is just a new tool"

#5: Addressing cultural appropriation:
↳ People worried about racial pretending
↳ "I'm Telisha. I'm part of your culture."
↳ "I'm a Black woman"
↳ Xania is an extension of herself

Her music has been streamed 91 million times so far.

Her record label Hallwood Media is all in on AI. 

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Top 5 AI music news of the week ↓

1. AutoTune creators drop AI voice plugin
2. Cubase 15 adds 2 AI features
3. Amazon Music adds Alexa Plus
4. AI K-Pop thriller Raynmaker launches
5. Woman behind AI artist Xania Monet

1 carousel, all the insights: 
↳ 5 big stories 
↳ 5-minute read 

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AutoTune

Pete Townsend from the Who has 400 unfinished tracks he calls "probably terrible." He wants to feed them into AI to finish what he started decades ago:

The architect of rock is experimenting with AI.

Townsend has 350-400 unfinished tracks collecting dust.

Songs that "didn't quite work" the first time.

Melodies that never found their moment.

And here's what he's considering:
↳ Feed them into Suno.
↳ Let AI refine what he started.
↳ See what the technology can do.

This isn't some indie artist experimenting.

This is The Who.

This is "My Generation" and "Baba O'Riley."

This is rock royalty entering the conversation.

He admits a lot of his tracks are "probably terrible."

He's only gone through about half.

But he's curious.

Not committed. Not opposed.

Just curious.

While debates rage about AI in music, Townsend's taking a different approach:

↳ Test it.
↳ See what happens.
↳ Learn from the results.

No grand proclamations.
No manifestos.

Just a veteran musician with hundreds of unreleased tracks and a willingness to explore new tools.

The landscape is shifting.

Artists are making their own choices.

Where do you stand on artists using AI to finish unreleased work?

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Top 5 AI music news of the week ↓

1. Songscription raises $5M for music transcription
2. Epidemic Sound launches AI video soundtrack tool
3. Songzap records vocals w/o headphones using AI
4. Deezer receives 50,000 AI tracks daily
5. Court rules OpenAI violated German copyright law

1 carousel, all the insights: 
↳ 5 big stories 
↳ 5-minute read 

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Songscription

Epidemic Sound

AI hate song hits #1 on Dutch Spotify charts

And Spotify collects revenue on every stream:

8 out of 10 songs on the Dutch viral chart right now are AI-generated far-right tracks.

Not real artists.
Not real music.

Just hate speech with a catchy beat.

They're climbing the Spotify Charts. 
They're spreading like wildfire on TikTok

TikTok's "use-this-sound" feature is spreading Nazi techno disguised as memes.

And platforms are profiting from every stream.

Here's what terrifies me:

Cornell research shows 75% of extremist audio stays up for months.

Bot farms are gaming the algorithm.

Real musicians can't compete with AI spam.

The worst part?

Moderation catches text-based hate instantly.

But audio slips through every time.

We're watching hate speech get a viral marketing campaign in real time.

And the platforms collecting the revenue act like it's not their problem.

Should streaming platforms be legally liable for AI-generated hate content they profit from?

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