Google DeepMind

Creative Lead

Columbia University in the City of New York

Guest Lecturer on GenAI and Creativity, World Building, Speculative Design and Immersive Storytelling

Guest Lecturer 

The Webby Awards

Judge

Google

> Led creative development for the Google Emerging Content Experiences team, overseeing cross-functional teams (up to 120+ ppl) to incubate next-gen digital experiences. Partners include Gorillaz, Disney, the NBA, Nike, Louis Vuitton, Netflix, NYT, Lego, New Balance, UN Women, etc.
> Partner with Google R&D and product teams (XR, Deepmind, etc) to incubate early use cases & lighthouse creative experiences using Google's latest creative technologies (genAI, XR, 3D, Google Lens).

Global Head of Creative Innovation, Emerging Content Experiences

> Led the creative innovation practice for the ZOO, Google's creative team for brands and agencies, incubating more than 15+ interactive brand experiences (ideation + design + production) for major global brands.
> Owned the creative relationship between Google product teams and Google's top global partners such as Nestlé, Mattel, Warner Bros, Hershey's, McCann, R/GA, etc
> Oversaw innovation thought leadership for the ZOO North America, driving the creation of emerging tech reports and representing Google at key conferences and partner engagements (Cannes Lions, 4A's, Spike Asia, etc).

Head of Creative Innovation, the ZOO

> Hired and managed a team of 7 creative technologists responsible for brand innovation at the ZOO Americas.
> Led the pro-active incubation (ideation + design + production) of 20 digital creative concepts powered by emerging technologies for Google's top partners (AR, VR, voice, interactive video, etc...).
> Clients include: Motorola, Playstation, Oreo, Lays, Ford, AT&T, J&J, Nestlé, Well's Fargo, Unilever, etc.

Creative Innovation and Technology Lead, the ZOO

The Clio Awards

Judge for the “Music Marketing” category at the Clio Music Awards.

YouTube

> Led the creative production (content and CX) for the very first generation of creator programs on YouTube in partnership with top tier influencers and global brands.
> Partners include: AMEX (Unstaged), Google, L'Oreal (Destination Beauty), Maybelline, Wrigley's, YouTube (Adblitz, Zeitgeist).

Executive Producer, YouTube

> Top consultant on digital advertising and growth marketing for Google France’s top Media & Entertainment partners .
> Clients include: EA, Gameloft, Paramount, Europacorp, Warner Bros, Namco Bandai, Xbox , Activision, Universal Music

Digital Strategist, Large Customers Sales

Led one of the very first mobile music campaigns ever launched in Europe.

Associate Product Marketing Manager (SFR Music)

Ninja Tune Records

Digital Media Assistant 

Totemko

VJ/digital Artist

Global Head of Creative Innovation, Google EBX

Portfolio at matthieulorrain.com

I am an executive creative director and technology leader, specializing in emerging media and 0 to 1 innovation. I work across product, design & art to invent the next-generation of content experiences. In 2024, I was featured by Business Insider in their "2024 AI Power List".

For the last 20 years, I have been pioneering new forms of digital content, leading global teams to develop cutting-edge creative platforms with iconic brands such as Google, DeepMind, Gorillaz, Star Wars, the NBA, Louis Vuitton, Space Invaders, Lego and Nike.

My mission is to advance human creativity with sustainable technology, pushing for a world where innovation and storytelling enrich our collective future. I try to deliver on that vision by working across disciplines (creative, strategy, design, tech) and by building communities in service of powerful ideas.

AI is not a shortcut to great visual craft .. 👨‍🎨 ✨ 

This video is a fascinating example showing the integration of AI within VFx pipelines for an ❄️ Winter Olympic Games ⛷️ trailer created by Mathematic Studio and La Pac

It illustrates how VFx artists are leading the AI creative revolution thanks to their deep creative technology expertise. 🖼️ ⚙️ 

It is also a reminder of the amount of craft and human talent that is required to generate beautiful meaningful visuals. 🎨 🎬  

PRODUCTION La Pac
CEO — Jerome Denis
Head of Production — Marick Delaunay Hermet
Production Coordinator — Laure Launay
Post Producer (LA\PAC) — Laurence Lelong
Post Producer (LA\PAC) — francoise hernandez
Director of Photography — Julien Lascar

POST-PRODUCTION Mathematic Studio
CEO / Executive Producer — Guillaume Marien
VFX Producer — Augustin Vernier
VFX & AI Supervisor — Yann Aldabe
 AI Artists — bruno samper, Stephane Benini,Bruno DETANTE
 3D Artists — Dimitri Allonneau, Alexis Dubor, Andrea Oguey, Julien Missaire
 Tracking — Adrien Delecroix, Andréa Hervet
 Matte Painting — Quentin Collombet
 Compositing Artists — Julien MICHEL, David Espada, Thomas BERTRAND
 Flame Artists — Clement Germain, Hugo Aymerich
 In/Out — Selim Meddeb

VFx is liquid 💧

Matthieu Lorrain

Freepik just turned every image into a virtual camera move 🎥✨

🎬 Inside Spaces, you can now drop any image on the infinite canvas and treat it like a 3D shot:
• Use the gizmo to adjust pitch and yaw on the X/Y axis
• Pull on the Z axis to move the camera in and out
• Lock in precise angles so every frame in your sequence actually matches

For anyone building AI-powered video workflows, this is a big deal: consistent angles, cleaner keyframes, less guesswork.

Multi-angle control, directly in the canvas. This is where creative tools are heading.

Camera moves are liquid 💧 

found via an excellent post from Leo Kadieff 🙏

Sharing the Latest | Sr. Creative Technologist | feat. Forbes, WSJ, TechCrunch, Adobe, Google

Creative Lead, Google DeepMind

✨ That electric moment when a new model shifts what creativity can look like.

Today we launched Nano Banana Pro 🍌 
It feels like tapping into a new visual frequency. 🎨 

🖼️ Images come out with mood, texture, intention.
Clean text. Strong world knowledge.
Edits that feel like collaboration instead of correction.

⚡ Fast, small, and creatively powerful.
A model you can carry anywhere and still build worlds with.

If you work in design, filmmaking, storytelling, or any form of visual exploration, this one opens a new lane.

Nano Banana Pro → https://goo.gle/3K537qo
💧 Content is liquid

For anyone shaping culture, visual systems, or new storytelling formats, this unlocks another tier of possibility.

💧 Content is liquid

🔥  Google DeepMind

Happy Halloween! 🎃🎬 

Excellent film by Simon Meyer

🎨 Workflow 
- Veo3 for the core scenes,
- Nano Banana & Higgsfield Popcorn for the wide shots, close-ups and cutaways,
- Enhancor & Magnific for the upscales,
- Kling & Seedance for the animation,
- Artlist for the music,
- ElevenLabs for the voiceover

Content is liquid 💧

Digital DP / Director A.I. Filmmaker

Hachikō : the true story of Japan's most famous dog. 🎌 🐕
A hand-prompted film by Christian Haas 🎬 

A new short film about loyalty and hope. ✨ 
Made with Imagen3, Nano Banana, and Veo3.1 🕹️ 

Stories are liquid 💧

👾 Agents that don’t just follow instructions… but think, adapt, and evolve.

Today we’re introducing SIMA 2, our next leap in embodied intelligence.
 A moment that feels like the early spark of a new creative and technological frontier. ⚡️

Powered by Gemini, SIMA 2 learns by moving through rich 3D worlds… almost like a new kind of digital lifeform discovering how to see, reason, and collaborate.

Here is what makes it special:

🔵 Advanced reasoning
 It sets its own goals, explains what it’s doing, and breaks down its thought process across totally different games. Not just reacting… reasoning. 🧠✨

🔵 Generalization across worlds
 Teach it “mining” in one universe and it understands “harvesting” in another. It connects ideas the way humans do, by mapping concepts across experiences. 🌍🔁🌾

🔵 Self-improvement
 Through trial, error, and Gemini-based feedback, it teaches itself new skills in unseen environments. No labels. No manual. Pure learning. 🔄🚀

🔵 Adaptability inside new simulated worlds
 Drop it into a Genie 3 world and it navigates, explores, and makes meaningful progress toward goals it has never encountered before. 🛰️🏞️

This research points directly toward robotics… toward embodied AI that can act, learn, and collaborate with us in the physical world. A new layer of intelligence woven into reality. 🤖🌐

We’re entering an era where agents learn from worlds, games, and stories before they ever touch the real one.

A new chapter in embodied intelligence.
And as always… content is liquid 💧

Minnesota Nice ☺️ 
Lovely animation style made w/ Veo

⚙️ Tools used:
Nano Banana
Google Veo
Runway Act Two
Suno
Photoshop
Premiere

Created by @NeuralViz
Content is liquid 💧

Mike Folgner

✨ What happens when code starts to feel like pure imagination?

I tried something with Google DeepMind Gemini 3 today.

I described a world. 🏰 
A vibe.
A feeling.

🏙️ Neon skies. Vaporwave sun. A city that builds itself as you fly through it... like reality compiling in front of you.

And instead of giving me snippets or boilerplate, Gemini 3 returned a playable world in Three.js. A real interactive experience. First-person. Infinite. Alive.

The wild part is not the speed.
It’s the shift in posture.

I wasn’t coding.
I was directing. 🖼️ 

Move the light.
Raise the skyline.
Push the bloom.
Warp the lens.
Make the city breathe.

Creative code becomes a space you shape, not a tool you fight.

Gemini 3 feels like a new instrument for interactive storytelling.
A way to turn moodboards into motion, and ideas into worlds.

I’m sharing the video and the exact prompt in the comments.
If you build your own version, show me. I want to see what your worlds look like.

💧 Content is liquid.

✍️✨ Some films remind you why we write at all.
Why we try to capture emotion before it disappears.

Pierre Zandrowicz’s The Tides Within is one of those.

🎬 Born during the first Google Flow Sessions, it blends intuition, memory, and the pull of the Moon with a sensitivity that feels rare in AI filmmaking.
This is the part of the field I care about: when a tool becomes a conduit for feeling.

Watch the film.
Pierre found something special.

Stories are liquid💧

Co-Founder / Director at Atlas V

The new creative frontier demands a ritual. ✨

Every time I create with these systems, one question keeps coming back:
Who holds the wisdom when knowledge becomes absolute?

This scene is my way of visualizing that tension… a human stepping into a space where intelligence feels infinite, but meaning still has to come from us.

🔌 The Creative Centaur
We’re entering a hybrid era. The mind plugs into the engine to reach clarity we can’t access alone. Not automation. Augmentation.

📜 The Oracle
The Scholar isn’t “using” AI. They are translating it. Giving intention and narrative to something that has no inherent direction. The machine brings knowledge. The human brings taste, vision, conscience.

⚖️ The Conscience of the Machine
This is the real frontier. Not prompts. Not pixels. It’s vision. It’s responsibility. It’s deciding the narrative architecture that these systems will amplify.

The hardest part of this new era isn’t technical.
It’s philosophical.

💧 Content is liquid.

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